Showing posts with label Buying Jewellery. Show all posts
Showing posts with label Buying Jewellery. Show all posts

Tuesday, 29 September 2026

How Jewellery Became the Wealth That Travels

 From the Nazi decrees of the 1930s to the refugee boats of the South China Sea, rings, bangles and loose stones have repeatedly been the last asset standing between displaced families and destitution.

From the Nazi decrees of the 1930s to the refugee boats of the South China Sea, rings, bangles and loose stones have repeatedly been the last asset standing between displaced families and destitution.

We tend to think of jewellery in terms of beauty and meaning: an engagement ring marking a promise, a necklace handed from grandmother to granddaughter, earrings bought to celebrate a milestone. Those meanings are real. But history shows that jewellery has also served a harder, more practical purpose. When war, persecution or economic collapse forces people to leave their homes, jewellery is often the only form of wealth they can take with them.

A house cannot be packed into a suitcase. Land cannot be carried across a border. Bank accounts can be frozen, currencies can collapse overnight, and property can be seized by a hostile government. A diamond, a gold chain or a handful of rings, by contrast, can be worn, hidden in a hem, or sewn into a coat lining, and later sold in almost any city in the world. That simple fact has shaped the fate of millions.

Why jewellery works as portable wealth

Three qualities give jewellery its role as an emergency reserve. The first is density: few objects hold so much value in so little space, and by weight a quality diamond can be worth far more than gold. The second is universality: a gold bangle or a set of stones is recognised as valuable from Johannesburg to Toronto, so a refugee who cannot speak the local language or prove their qualifications can still find a buyer. The third is independence: jewellery sits outside the banking system, beyond the reach of frozen accounts and collapsing currencies.

These same qualities explain why regimes that want to strip people of their wealth so often target jewellery directly.

The Second World War: when jewellery became a target

The clearest and most chilling illustration comes from Nazi Germany. In the years leading up to the war, German authorities worked systematically to remove Jewish citizens from economic life and seize their assets. In April 1938 Jews were compelled to register all their assets and portable wealth, and after the Kristallnacht pogrom that November, a collective fine of one billion marks was imposed on the German-Jewish community. Families trying to emigrate also faced a punitive “flight tax” on their assets, designed to ensure that those who escaped left most of their wealth behind.

Jewellery, precisely because it was so easy to carry, was singled out. On February 21, 1939, the Decree concerning the Surrender of Precious Metals and Stones in Jewish Ownership required Jews to turn in gold, silver, diamonds, and other valuables to the state without compensation. Persecutees had two weeks from the regulation’s entry into force on 22 February 1939 to hand over gold, platinum or silver objects, precious stones and pearls to designated purchasing centres.

The bureaucracy was grimly precise. German Jews were permitted to keep their wedding rings, one silver watch, a four-piece silver cutlery setting per person, and a silver napkin ring each. Everything else was taken. The goods were sent to the Central Pawn Office in Berlin and melted down by the Degussa company, while the best pieces of jewellery were set aside and sold to Swiss dealers in exchange for industrial diamonds. The scale was enormous: twenty tons of silver were confiscated in Hamburg alone.

A US diplomat reporting from Berlin at the time noted something revealing. He observed that the decree made little practical difference to what emigrants could take with them, because emigrating Jews had for some time already been strictly forbidden to take possessions of this kind out of the country. In other words, the regime understood exactly what jewellery meant to a family trying to escape, and it moved to close that door.

This is why so many survivors’ accounts from the period describe diamonds stitched into clothing, rings hidden in shoe heels, or stones concealed in the bodies of toys. Carrying them was illegal and dangerous. Yet for families facing the loss of everything, it was sometimes the only way to arrive in a new country with the means to survive the first months.

Once the war began, the pattern spread. The same process was repeated across occupied Europe from 1939 onwards, and in the ghettos and camps the plunder reached its most horrific conclusion, with precious metals, jewelry, precious or semiprecious stones, pearls, dental gold, and scrap gold delivered to the SS for transfer to the Reichsbank.

Russia, 1917: fortunes sewn into seams

Two decades before the Nazi decrees, the Russian Revolution sent a wave of aristocratic and middle-class families into exile. Many who settled in Paris, Berlin, Constantinople and Shanghai survived their early years abroad by selling family jewellery piece by piece. The Romanov family themselves had gems sewn into their clothing during their captivity, a detail that has become one of the most poignant symbols of how instinctively people turn to jewellery when the future becomes uncertain.

Vietnam: an exodus paid for in gold

After the fall of Saigon in 1975, and especially during the mass departures of 1978 and 1979, gold became the currency of escape. A CIA assessment from the period recorded that passage generally cost between six and 10 taels of gold per adult, roughly $1,800 to $3,000 at the time, with half that charged for children. The same report noted bluntly that a refugee must pay in gold, that a great deal of gold was in private hands when Saigon fell, and that a covert banking system had evolved to move it to those who needed it.

Individual stories show what this meant in practice. In one documented case, a Hoa man paid for the passage of himself and his large family with a bag of gold bars obtained from the liquidation of his estate. The trade in escape attracted syndicates running derelict freighters. Aboard the Skyluck in early 1979, each refugee paid between 10 and 15 taels of gold, and only ten days earlier, Hong Kong authorities had confiscated close to 4,000 troy ounces of gold, then worth US$1 million, from the refugee ship Huey Fong. Many of these families had converted a lifetime of savings, including jewellery, into gold for a single dangerous voyage.

Uganda, 1972: one suitcase and £55

When Idi Amin expelled Uganda’s South Asian community in 1972, he gave them ninety days to leave and very little to leave with. The Ugandan Government allowed each family to leave with only £55 and one suitcase. The authorities also moved to stop wealth leaving in portable form. As one historian of the community later described it, there were army checkpoints on all major roads, and any gold, jewellery or money Asians were carrying was taken, while they were also unable to access their bank accounts.

Many families nonetheless tried to hide small pieces, often a woman’s wedding gold, knowing it might be all they would have on arrival. Around 27,000 Ugandan Asians resettled in Britain, and the community’s later success, particularly in cities such as Leicester, is often told as a story of rebuilding from almost nothing.

A woman’s wealth

In many cultures, the link between jewellery and financial security is deliberate. Across South Asia, the Middle East and parts of Africa, gold given to a bride has traditionally been regarded as her own property, a personal safety net that belongs to her rather than to her husband’s family. In India this is known as stridhan, literally “a woman’s wealth.”

These customs recognise something that formal financial systems have often failed to provide: an asset a woman controls herself, which she can draw on in a crisis, whether that crisis is widowhood, divorce or flight. In displacement after displacement, it has frequently been the gold worn on women’s wrists and around their necks that carried families through.

Diamonds and the trading communities

Diamonds hold a special place in this story. Their extraordinary value by weight has long made them a preferred store of wealth among communities who knew, from experience, that political fortunes can turn quickly. Traders in diamond centres such as Antwerp, Amsterdam, Tel Aviv and Johannesburg have long understood a parcel of stones as wealth that could travel with its owner. A lifetime of savings, converted into a few carats, could leave a country in a way that no property deed or bank balance ever could.

The same questions today

The issue has not faded into history. In January 2016, as large numbers of asylum seekers arrived in Europe, Denmark passed what became known as its “jewellery law.” The legislation allows the seizure of valuables worth more than 10,000 Danish kroner, about $1,453 at the time, from arriving asylum seekers to help cover their costs. After public backlash, items of special sentimental value, such as wedding rings and engagement rings, were exempted.

The law drew international criticism, with some commentators drawing comparisons with Nazi practices during the Second World War. In practice it has been used sparingly: the Danish Immigration Service concluded 194 cases under the law between January 2016 and June 2025. Critics have argued its purpose was largely symbolic, a signal to would-be arrivals. Whatever one’s view, the debate showed that the question of what displaced people may carry, and keep, remains very much alive.

Meanwhile, people fleeing conflict in Syria, Afghanistan, Sudan and elsewhere have continued to describe selling gold bangles, wedding sets and inherited pieces to pay smugglers, rent rooms in neighbouring countries, or cover the cost of reaching safety.

The hidden cost

Portable wealth is no guarantee of safety. People fleeing under pressure rarely get a fair price, and dealers at transit points know a desperate seller cannot wait. Jewellery can be stolen at checkpoints, confiscated by officials, or taken by the smugglers who were paid to help. For many families, selling a grandmother’s ring or a wedding necklace also carries an emotional cost that no sum of money can repay.

More than ornament

The next time you see an old family brooch or a worn gold bangle, it is worth considering the journeys such pieces may have made. Behind many heirlooms lies a story of departure: a family that left home with little more than what they could wear, and used it to begin again. Jewellery has always been beautiful. For countless families across the last century, it has also been the difference between losing everything and having something left to start over with.

When it comes time to sell jewellery or realise its value, choosing who you deal with matters. Look for an established, reputable and ethical company that provides transparent valuations, fair pricing and professional service.

In Sydney, the GoldCompany is an established family-owned business with experience in gold, jewellery and diamonds. Their approach is based on transparency and providing customers with a professional and private environment when selling or valuing their precious items.

When your jewellery represents not only sentimental value but potentially portable wealth, dealing with a company you can trust is an important part of the process.

Source: DCLA

Thursday, 10 September 2026

Classic Diamonds, Reimagined: How Modern Jewellery Design Is Bringing Old Favourites Back to Life

 Diamond tennis bracelets, rivière necklaces, diamond studs and classic pendants have remained among the most recognisable and enduring pieces in fine jewellery. Their appeal is easy to understand: they are elegant, versatile and can be worn for almost any occasion.

Some jewellery designs never truly go out of fashion.

Diamond tennis bracelets, rivière necklaces, diamond studs and classic pendants have remained among the most recognisable and enduring pieces in fine jewellery. Their appeal is easy to understand: they are elegant, versatile and can be worn for almost any occasion.

But today’s jewellery customers are increasingly looking for something more than a traditional piece. They want the beauty and familiarity of classic diamond jewellery while incorporating a more contemporary style that reflects their individual personality.

This is creating an interesting new direction in jewellery design: reimagining the classics rather than replacing them.

For customers considering a completely individual piece, DCLA also offers Bespoke Jewellery services, combining traditional diamond knowledge with contemporary design.

The return of the classics with a modern attitude

A traditional diamond rivière, for example, has historically been associated with formal occasions and evening wear. Today, the same concept can be transformed into something far more relaxed and versatile.

A diamond necklace can be worn with a simple shirt and jeans just as easily as with an evening gown. A tennis bracelet can be worn on its own for understated elegance or combined with gold bracelets, watches and other pieces to create a layered, contemporary look.

Diamond studs are also being reinvented. Instead of simply choosing two traditional round brilliant diamonds, customers are increasingly considering pear, marquise, princess, oval and other shapes, as well as modern settings and designs that give the classic stud a completely different appearance.

DCLA’s Diamond Shape guide provides information on the many different shapes available and how they influence the appearance and character of a diamond.

According to Michael Cohen, designer at the DCLA Diamond Exchange in Sydney, this shift reflects a broader change in the way people think about jewellery.

“The classic diamond has never lost its appeal. What is changing is the way people want to wear it. Customers are looking for jewellery that feels personal and contemporary while still having the quality and timelessness associated with traditional diamond jewellery.”

Layering creates individuality

One of the biggest changes in modern jewellery styling is the popularity of layering.

Instead of wearing a single necklace, bracelet or ring, customers can combine several pieces of different lengths, textures and designs.

A classic diamond necklace might be worn alongside a fine gold chain. A tennis bracelet can sit next to a watch or be stacked with plain gold and gemstone bracelets. Several delicate rings can be combined to create a look that changes from day to day.

This approach allows a traditional diamond piece to become part of a much more relaxed wardrobe.

The beauty of layering is that there are no strict rules. A customer can combine old and new, understated and extravagant, polished and casual.

Changing the diamond shape changes the entire look

The modernisation of classic jewellery is not limited to the setting. The diamonds themselves can dramatically change the character of a piece.

Round brilliant diamonds remain enormously popular, but fancy shapes such as oval, pear, marquise, emerald, princess and baguette cuts can give traditional jewellery a very different personality.

A rivière made entirely from round diamonds has a very different appearance from one incorporating graduated oval or emerald-cut stones.

Similarly, a tennis bracelet using pear-shaped diamonds can create a softer, more flowing appearance, while baguette diamonds can produce a sharper and more architectural design.

This gives designers enormous scope to create jewellery that is recognisably classic while still appearing completely modern.

DCLA’s Natural Diamond Search allows customers and industry professionals to explore diamonds by shape, including round, oval, pear, emerald, princess, radiant, marquise, baguette and many other shapes.

Colour can make a classic piece contemporary

Another increasingly popular design approach is the use of contrasting metals and subtle touches of colour.

Platinum or white gold can provide a clean, contemporary background for diamonds, while yellow gold can introduce warmth and contrast.

Coloured gemstones can also be incorporated into otherwise traditional diamond jewellery. A single sapphire, ruby or emerald can become a focal point within an otherwise diamond-dominated design.

Even small details can make a significant difference.

A traditional diamond bracelet with an unusual clasp, mixed-metal elements or a distinctive arrangement of diamond shapes can feel like an entirely new creation.

For coloured diamonds and unusual diamond characteristics, understanding the stone itself is particularly important. DCLA’s Diamond Certification service records important characteristics including colour, clarity, carat weight, proportions and other identifying features.

Jewellery designed to be worn, not stored

Perhaps the most important change is the attitude towards when fine jewellery should be worn.

For generations, diamonds were often associated with weddings, anniversaries, special celebrations and formal events. Modern customers are increasingly choosing to wear their fine jewellery as part of everyday life.

A beautiful diamond bracelet does not necessarily need to wait for a black-tie event.

Worn with denim, a simple shirt, a watch or casual clothing, a classic diamond can provide a subtle touch of luxury without appearing overly formal.

This makes versatility an increasingly important part of jewellery design.

The importance of timeless design

There is also a practical reason why classic designs continue to attract customers.

Fashion changes quickly. Jewellery can be expensive, and customers naturally want pieces they will continue to enjoy wearing for many years.

A completely trend-driven design may look spectacular today but can become dated as fashions change. A well-designed classic, however, can remain relevant while allowing the owner to style it differently over time.

A properly documented diamond can also provide important information for the owner over the years. DCLA’s Diamond Grading Report records the diamond’s technical characteristics, including carat weight, colour, clarity, measurements, cut, symmetry, polish and whether the stone is natural or laboratory-grown.

The importance of knowing what you are buying

Modern jewellery design also means consumers have more choices than ever before.

Natural diamonds and laboratory-grown diamonds can both be used to create beautiful jewellery, but they are different types of diamond and should be correctly identified and represented.

DCLA provides grading and certification for both natural and laboratory-grown diamonds, with its laboratory using advanced technology to identify and assess diamonds.

For customers purchasing a new piece or redesigning an existing one, independent grading can provide useful documentation about the diamond being used.

DCLA’s Technology & Grading Process explains how diamonds are examined and graded using a controlled, independent process.

Jewellery that can become part of a family’s story

One of the unique qualities of fine diamond jewellery is its ability to move between generations.

A bracelet purchased today may eventually be worn by a daughter or granddaughter. A pair of diamond earrings can be redesigned, reset or incorporated into another piece as styles and personal preferences change.

This is one reason classic diamond jewellery continues to have such enduring appeal.

Rather than thinking of a piece as something that belongs to one particular fashion period, a well-designed diamond jewel can become part of a family’s history.

For an existing family piece, professional examination and documentation can also help an owner understand what they have. DCLA provides Diamond and Jewellery Valuation services as part of its broader range of diamond and jewellery services.

The new classic

The future of fine jewellery may not be about choosing between traditional and contemporary design.

Instead, it is about combining the two.

The timeless appeal of diamonds, combined with modern cuts, creative settings, mixed metals, layering and personalised design, gives today’s customers far more ways to express themselves.

The result is what could be called the new classic: jewellery that respects the designs of the past while being created for the way people live today.

For customers considering a new diamond piece, the message is simple. A classic design does not have to look old-fashioned. With the right design approach, a traditional diamond can be transformed into something contemporary, personal and uniquely your own.

At the DCLA Diamond Exchange in Sydney, the combination of diamond expertise, independent grading and bespoke jewellery knowledge provides customers with the opportunity to take a traditional idea and give it a completely modern interpretation.

Whether it is a family heirloom being redesigned, a classic diamond being incorporated into a new piece, or an entirely new creation, the best modern jewellery does not abandon tradition.

It reinvents it.

Monday, 31 August 2026

Protect Your Jewellery, How to Check Your Jewellery Before You Lose It.

 A Few Minutes Could Save You Thousands

Fine jewellery is designed to be worn and enjoyed, but even the best-made piece will experience wear over time. The metal that holds your diamonds and gemstones is often the part that receives the most punishment, particularly when jewellery is worn every day.

A small amount of wear to a claw, bezel, link or clasp may seem insignificant, but it can eventually result in something much more serious: a lost diamond, gemstone or even the entire piece of jewellery.

Regular inspection and maintenance can help prevent that happening.

Start With the Stones

If your jewellery is claw set, take a close look at the claws holding each stone in place.

Claws can become worn, bent or damaged through everyday wear. They can also catch on clothing, bedding or other objects. A damaged or significantly worn claw may no longer provide the protection it was designed to give.

If you gently touch a stone and it appears to move, or you hear a slight clicking or rattling sound when the jewellery is carefully handled, stop wearing it and have it checked by a professional.

The Jewellers Association of Australia similarly recommends checking for loose gemstones and worn or damaged claws before a loss occurs.

What should you look for?

  • Are all the claws still present?
  • Do any claws look thinner or shorter than the others?
  • Is a claw bent or sitting differently?
  • Does the stone appear to have moved?
  • Does the stone feel loose?
  • Is the metal around the stone worn or damaged?
  • Is the stone sitting evenly in its setting?

These are small warning signs that should not be ignored.

Don’t Forget Bezel Settings

Claw settings are not the only settings that require attention.

A bezel setting holds the stone with a surrounding rim of metal. Over time, that rim can become worn, dented or damaged.

Because the metal is what physically holds the gemstone in position, excessive wear can eventually compromise the security of the stone.

A professional inspection can identify areas of wear that may not be obvious to the naked eye.

Check Your Chains, Bracelets and Clasps

It is easy to concentrate on the diamonds and forget about the rest of the jewellery.

Chains and bracelets can suffer considerable wear, particularly where individual links repeatedly rub against each other or against clasps and fittings.

Pay particular attention to:

Links: Look for stretched, thin or damaged links.

Clasps: Make sure the clasp closes securely and does not feel loose.

Jump rings: These small connecting rings can open or become worn.

Chain ends and connecting points: These can experience significant stress during everyday use.

Bracelet connections: Check for excessive movement or signs that the metal has become thin.

A weak link or worn clasp can result in losing the entire bracelet or necklace without you even realising it has happened.

Your Lifestyle Makes a Difference

There is no single maintenance schedule that suits everyone.

How often jewellery should be professionally inspected depends heavily on how often you wear it and what you do while wearing it.

Do you wear your engagement ring every day?

Do you wear your jewellery while working with your hands?

Do you wear your rings while exercising?

Do you work in an environment where your jewellery is regularly exposed to knocks, chemicals, tools or hard surfaces?

Do you sleep wearing your jewellery?

All of these factors can increase the amount of wear placed on your jewellery.

Someone who wears a diamond ring occasionally may require less frequent inspection than someone who wears the same ring every day and works with their hands.

Don’t Wait Until Something Goes Wrong

One of the biggest mistakes jewellery owners make is waiting until a stone falls out or a clasp breaks before having their jewellery checked.

By that stage, the damage has already occurred.

A professional inspection is about prevention. Identifying a worn claw, thinning link or damaged clasp early can allow the problem to be repaired before you lose something valuable or irreplaceable.

And remember, the value of jewellery isn’t always financial. A family heirloom, engagement ring or piece with sentimental significance may be impossible to replace.

How Often Should You Have Your Jewellery Checked?

For jewellery that is worn regularly, an annual professional inspection is a sensible starting point. However, this should be adjusted according to how heavily the jewellery is worn and the type of work or activities it is exposed to.

For jewellery worn every day or subjected to considerable wear, more frequent inspections may be appropriate.

And if you notice something unusual a loose stone, damaged claw, worn link, loose clasp or change in the way the jewellery feels — don’t wait for your next scheduled inspection. Have it checked immediately.

DCLA Can Check Your Jewellery

At the Diamond Certification Laboratory of Australia (DCLA), we understand that protecting your jewellery is about more than simply knowing what your diamonds are worth. It is also about making sure the stones and jewellery are properly maintained.

DCLA offers a jewellery checking service to help identify potential problems with settings, stones and jewellery components before they become costly or heartbreaking losses.

Our laboratory uses professional gemmological equipment, including high-precision microscopes, to examine diamonds and jewellery in detail.

A Few Minutes Could Save You Thousands

Your jewellery deserves regular care just like any other valuable possession.

Check your stones. Check the claws. Check the bezel. Check the links. Check the clasp.

Most importantly, don’t ignore small changes.

A little maintenance today could prevent the loss of a diamond tomorrow.

DCLA independent diamond expertise and professional jewellery services, helping you protect what matters. DCLA is Australia’s internationally accredited diamond certification laboratory, with independent gemmological assessment carried out in its Sydney laboratory.

For more information about having your jewellery checked, contact DCLA – Diamond Certification Laboratory of Australia.

Thursday, 27 August 2026

Why Is My Jewellery Giving Me an Allergic Reaction?

 Nickel is well known as a cause of allergic contact dermatitis.

Jewellery is meant to be worn, enjoyed and treasured. But for some people, wearing a ring, necklace, bracelet or pair of earrings can result in redness, itching, irritation or even a rash.

When this happens, many people immediately assume they are allergic to gold, silver or another precious metal. That is not always the case.

In many instances, the reaction may be caused by another metal contained within the jewellery alloy particularly nickel, and in some circumstances zinc or other alloying metals.

Precious Metals Are Rarely Used Completely Pure

Most jewellery is manufactured from alloys rather than pure precious metals.

Pure gold, for example, is extremely soft and is generally mixed with other metals to create an alloy that is harder, more durable and suitable for everyday wear. The same principle applies to many other precious metals.

The metals added to an alloy can affect its:

  • Hardness and durability
  • Colour
  • Strength
  • Manufacturing characteristics
  • Weight
  • Cost

This is where understanding exactly what is in your jewellery becomes important.

Nickel: One of the More Common Causes

Nickel is well known as a cause of allergic contact dermatitis.

It has historically been used in jewellery alloys because it can provide hardness, strength and particular colour characteristics. White gold is one example where alloy composition is particularly important, although modern jewellery manufacturers have a number of nickel-free alternatives.

A person who is sensitive to nickel may develop irritation where the jewellery contacts the skin. This can include redness, itching, dryness, swelling or a rash.

The reaction does not necessarily mean that the jewellery itself is poorly made. It may simply mean that the wearer is sensitive to one of the metals contained in the alloy.

What About Zinc?

Zinc can also be used as an alloying metal in jewellery manufacturing. It can assist with casting and manufacturing characteristics and may form part of certain lower-cost alloys.

It is important, however, not to automatically assume that zinc is responsible for every jewellery reaction. Nickel sensitivity is much more commonly recognised as a cause of allergic contact dermatitis, while irritation can also have other causes.

This is why identifying the actual composition of the jewellery can be valuable.

Is It Possible to Be Allergic to Gold?

Is It Possible to Be Allergic to Gold?


Yes, although reactions specifically to gold are less common than nickel allergy.

Some people can develop a sensitivity to gold itself or to particular gold compounds, while others may actually be reacting to one of the other metals present in the alloy.

For example, two pieces of jewellery can both be described as 18-carat gold, yet have different alloy compositions depending on the manufacturer and the metals used to create the final colour and properties.

This is particularly relevant when comparing yellow, white and rose gold.

Don’t Assume the Jewellery Is the Problem

A reaction can also be caused by factors other than the metal.

Moisture, soap, cosmetics, perspiration, dirt trapped underneath a ring and prolonged contact with the skin can all contribute to irritation. In some cases, what appears to be a metal allergy may actually be contact irritation from something else.

If you repeatedly experience a reaction when wearing a particular piece of jewellery, it is worth discussing it with a medical professional or dermatologist rather than simply guessing which metal is responsible.

Tell Your Jeweller Before You Buy

This is one of the most important pieces of advice for anyone who has previously experienced a reaction to jewellery:

Tell your jeweller before the jewellery is made.

If you know that you have a nickel sensitivity, for example, make sure the jeweller knows before they recommend an alloy or manufacture a ring, earrings or other piece specifically for you.

The same applies if you have previously reacted to a particular type of gold, white gold or other jewellery.

Your jeweller can then discuss alternative materials and alloys that may be more appropriate.

Why This Can Save You Money

A custom piece of jewellery can represent a significant investment.

Imagine ordering a beautiful ring, having it manufactured and paying for the finished piece only to discover that you cannot comfortably wear it because your skin reacts to the alloy.

A remake may be possible, but it can involve additional manufacturing costs, time and inconvenience.

A simple conversation before the jewellery is made can potentially prevent an expensive problem later.

Ask What Is Actually in the Alloy

Don’t be afraid to ask questions.

If you have sensitive skin or have previously experienced a reaction, ask your jeweller:

  • What metals are contained in the alloy?
  • Is the alloy nickel-free?
  • What karat or fineness is the precious metal?
  • Is the jewellery plated, and if so, with what?
  • What will happen if the plating wears through?
  • Is there an alternative alloy available?

A reputable jeweller should be able to explain the materials being used and discuss suitable alternatives.

Jewellery Should Be Beautiful and Comfortable

Buying jewellery is about much more than appearance. The metal, alloy, construction and intended use all matter.

If you have experienced an allergic reaction in the past, don’t keep it a secret from your jeweller. Tell them before you purchase or commission your next piece.

At DCLA, we believe that understanding jewellery begins with understanding what you are actually buying. Whether it is a diamond, a precious metal or a finished piece of jewellery, knowledge gives you confidence.

And when it comes to jewellery that sits directly against your skin every day, knowing what is in the metal can be just as important as knowing what is on the outside.

DCLA — Know Your Diamond. Know Your Jewellery. Know What You Are Buying.

The Diamond You Choose, Natural Rarity or Laboratory Grown Quality

  When the choice is yours, what matters most: rarity, size, beauty or simply the diamond you fall in love with? There was a time when choos...